+ĭuring the 8888 Uprising, restrictions loosened and many artists began writing music with themes of freedom and democracy. During the Socialist era, musicians and artists were subject to censorship by the Press Scrutiny Board and Central Registration Board, as well as laws like the State Protection Law. However, many artists circumvented this censorship by producing albums in private studios and releasing them in music production shops. Pop music emerged in the 1970s and was banned by state-run radio stations. Repression of Pop Music by Myanmar’s Military Regime In festive occasions, all modern acts get supported by at least four big walls of loudspeakers, turning up the sound as loud as possible, and somehow most Burmese audiences are more than used to a very distorted sound. Ingo Stoevesandt wrote in The Music of Southeast Asia: “Sometimes, famous Western pop artists (like Madonna) get re-interpreted by Burmese vocalists and dancers. The monk's fame apparently was too much for some people to take, he was murdered by five men who tied him to a tree and ran him over with a jeep. In the early 1980s a performing monk released one of Burma's all time best selling cassette tapes-a collection of sermons, songs, homilies and jokes. government sponsorship in the 1970s, playing at small venues. In the 1970s, jazz artists Count Basie, Duke Ellington and Charlie Byrd visited Burma under U.S. Classical music was also introduced during the British occupation. Despite government intervention at times, especially during the Socialist era, popular Burmese music has become considerably influenced by Western music, which consists of popular Western songs rendered in Burmese and pop music similar to other Asian pop tunes. Western music gained much popularity in Burma starting from the 1930s. In recent years Korean pop and hip-hop have become popular among Myanmar’s young people. Locally-produced pop songs-including that which is influenced by Thai pop music and Indian Bollywood music-are sung almost exclusively in Burmese, if for no other that military regime might try to censor foreign language lyrics it can’t understand. There are few links or melodical influences to traditional Burmese vocal music. Burmese pop music is heavily influenced by Thai pop music and Indian Bollywood music.
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